I have been cast in history as a scheming, cunning, and destructive figure—an old, hunchbacked harbinger of evil. My actions are said to have caused rifts within the royal family, leading to the exile of the rightful heir to the throne of Ayodhya, the untimely death of the king, and suffering for the citizens of Ayodhya.

History decided to call me by my physical deformity- Manthara- the hunchback. I do not know if it was my real name. I do not think it was. Have you ever met parents who’d name their blind kid Andh or their deaf child Badhir? I like to think mine would have gone for something more beautiful like Maheshwari or Madhavi. But history has a knack for twisting things to fit its narrative. So here I am, forever labeled by my hunch.

Let’s not forget the age-old adage: history is written by the victors. They craft their legends, celebrate their allies, and vilify their adversaries. As a wise seer once said, “Until the lion learns how to write, every story will glorify the hunter.”

While Ram, Lakshman, Sita, Bharat, and Dasharath bask in glory, I have been made the scapegoat, bearing the blame for their choices that shaped their destinies.

Let’s talk about my dear Kaikeyi. I have cared for her since she was a child. She was so attached to me that she insisted I accompany her to Ayodhya after her marriage to Dasharatha. I was not thrilled that my wise, educated warrior girl chose to be the second wife of a king; I believed she deserved better. Yet, Kaikeyi soothed my concerns, saying, “Come with me to Ayodhya, Dai Ma. I know you will always look out for my interests.” And that is precisely what I have done—caring for her interests.

It was Kaikeyi who suggested to Dasharatha that he conduct that huge Yagna to beget a child. The Yagna overachieved on that front, instead of one son he got four. Kaikeyi doted on Ram like he was her own, completely ignoring my complaints about him pelting my hunch with mudballs. “He is so little Dai Ma, how can you mind the actions of such a cute little boy?” she would say.

How could history assume that a knowledgeable queen of an empire, who seemingly loved Rama like her own son, would pay heed to the advice of a maid unless the advice resonated with her own ambitions?

Now, consider Dasharatha—the king who accidentally killed an innocent teenager while showing off his archery skills, aiming solely by sound. He granted boons as if they were mere sweets. Did the grieving parents of that boy consult with me before they cast their curse upon Dasharatha, ensuring he would suffer the profound sorrow of being separated from his own son? And did Dasharatha pause to consider the implications before bestowing upon Kaikeyi two boons, with no time limit attached?

The gods needed Ravana to be vanquished; he was wreaking havoc on earth. Just imagine if Saraswati, the goddess of learning would not have taken abode on my tongue that day?  What if Kaikeyi would not have listened to me and would not have demanded the throne for her son Bharata and Rama’s fourteen-year exile?

Thus, I live on, entwined in the fabric of this grand epic, witnessing Rama’s exile, the fierce battle in Lanka, and Rama’s triumphant return. And then the heart-wrenching moment of Sita’s banishment to the woods, the birth of Rama’s sons and Sita’s poignant descent into the earth.

I cannot help but reflect, If I had not said what I said, the gods would still be grappling with Ravana, and Vishnu’s seventh incarnation would have been a mere footnote in history.

3 responses

  1. This write up deconstructs the idea that history is always a record of objective truth. It also makes the idea clear that history is always constructed by winners. That too men have always relegated women to subsidiary marginalised roles. Though myth also justifies these narratives, there is plenty of scope in mythology to inventively fill in certain gaps and poignantly articulate certain portion of silence. Without tampering the factual details of mythology the write up effectively puts forward the argument from the perspective of the marginalised character Manthara.

    What is even more significant is that it also hints at the disability or the physical deformity of the marginalised character which is being wilfully used by the so-called winners to be used as a symbol of something negative.

    The author of this write-up has clearly demonstrated that one need not accept the given narrative as the final one, there is always scope in it for the creative mind to come out with totally different interpretation that stems of course from one’s social consciousness! Hats off to the creative thinking which is equally critical of the dominant narratives which have been normalised as unquestionable rules and norms!

    Best Regards,

    Dr. V Sivaraman

    Liked by 1 person

    1. Thank you so much Sir! Your appreciation means a lot.

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  2. What a chilling perspective. Love your writing always!

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